1
00:00:22,600 --> 00:00:24,080
I couldn't remember

2
00:00:24,080 --> 00:00:28,240
when was the last time
that I felt so ready for a change;

3
00:00:28,240 --> 00:00:29,640
a new beginning.

4
00:00:37,720 --> 00:00:40,080
While traveling towards the Lakes,

5
00:00:40,080 --> 00:00:42,520
I reflected on what
the Gardiners had taught me.

6
00:00:43,640 --> 00:00:46,960
They did not consider happiness
as a matter of chance.

7
00:00:46,960 --> 00:00:51,120
Instead, they did everything
It was in his power to cultivate it.

8
00:00:53,520 --> 00:00:56,640
Through them I could see
another way of being.

9
00:01:10,000 --> 00:01:11,960
DISTANT VOICES

10
00:01:16,160 --> 00:01:18,800
I just want to stretch my legs.
Hurry up.

11
00:01:23,040 --> 00:01:24,920
Of course, mother. I'll be quick.

12
00:01:27,480 --> 00:01:29,440
Anne!

13
00:01:29,440 --> 00:01:30,920
Mary!

14
00:01:35,880 --> 00:01:37,240
What are you doing here?

15
00:01:37,240 --> 00:01:39,520
I'm with Mr. and Mrs. Gardiner.
We travel towards the Lakes.

16
00:01:39,520 --> 00:01:42,240
That? What are you doing here?

17
00:01:42,240 --> 00:01:45,160
Oh, Mary,
We have a lot to talk about.

18
00:01:46,720 --> 00:01:49,240
My mother and I were
taking a break at the inn.

19
00:01:49,240 --> 00:01:51,240
We're heading home to Nottingham,
for two weeks.

20
00:01:51,240 --> 00:01:54,360
But what about you and Mr. Hayward?

21
00:01:54,360 --> 00:01:56,880
Are they finally engaged?

22
00:01:57,880 --> 00:01:59,560
Actually, Mary,

23
00:01:59,560 --> 00:02:02,360
Mr. Hayward and I
We terminate our agreement.

24
00:02:03,720 --> 00:02:07,120
Sorry?
I am now engaged to Mr. Powell,

25
00:02:07,120 --> 00:02:10,040
whom I met at Mr. Ryder's dinner.
Anne! Oh!

26
00:02:11,400 --> 00:02:12,840
My mother calls me.

27
00:02:12,840 --> 00:02:14,840
I have so much to tell you.

28
00:02:14,840 --> 00:02:16,320
How is Mr. Hayward?

29
00:02:19,000 --> 00:02:22,400
took the news
as well as could be expected.

30
00:02:23,440 --> 00:02:27,200
He was very fond of Mr. Hayward,
but we weren't right for each other.

31
00:02:28,160 --> 00:02:31,840
He had been trying for many years
advance your career,

32
00:02:31,840 --> 00:02:33,040
so we could get married.

33
00:02:34,040 --> 00:02:35,520
It was exhausting for both of us.

34
00:02:36,880 --> 00:02:38,080
I'm sorry.

35
00:02:39,360 --> 00:02:41,480
You'll see it in the Lakes, won't you?

36
00:02:43,120 --> 00:02:44,600
Take care of him for me.

37
00:02:46,320 --> 00:02:47,640
Of course.

38
00:02:47,640 --> 00:02:48,800
Anne!

39
00:02:48,800 --> 00:02:52,880
Oh! I must go, but I will go to you
to see when you return to London.

40
00:03:06,520 --> 00:03:08,400
Poor Tom.

41
00:03:08,400 --> 00:03:10,080
He must be heartbroken.

42
00:03:11,320 --> 00:03:12,920
Oh yes, you must have it.

43
00:03:21,440 --> 00:03:25,720
"Now while the birds sing
So a happy song,

44
00:03:25,720 --> 00:03:28,200
and while the young lambs leap

45
00:03:28,200 --> 00:03:30,240
to the beat of the drum...

46
00:03:32,720 --> 00:03:35,440
Only one thought of pain came to me;

47
00:03:36,520 --> 00:03:39,680
a timely expression gave relief
to that thought,

48
00:03:40,720 --> 00:03:43,160
and I am strong again."

49
00:03:48,240 --> 00:03:49,760
Did you sleep well, Mary?

50
00:03:51,240 --> 00:03:53,680
I had a dream in which
My mother came to look for me.

51
00:03:53,680 --> 00:03:54,920
It was quite scary.

52
00:03:56,120 --> 00:03:58,240
Your mother won't follow you here.

53
00:03:58,240 --> 00:03:59,520
Can we be sure of that?

54
00:03:59,520 --> 00:04:02,600
Mary, your mother hates nature

55
00:04:02,600 --> 00:04:05,040
and any form of inconvenience.

56
00:04:05,040 --> 00:04:07,720
And the North in general.
It's true.

57
00:04:07,720 --> 00:04:09,080
Look who I found.

58
00:04:11,400 --> 00:04:15,120
Tom! I'm so happy
that you were able to join us.

59
00:04:15,120 --> 00:04:17,120
I don't interrupt...
No. Not at all.

60
00:04:17,120 --> 00:04:18,760
We are very happy to see you.

61
00:04:18,760 --> 00:04:21,480
I thought long and hard
in what you said.

62
00:04:21,480 --> 00:04:23,000
I said he works too much

63
00:04:23,000 --> 00:04:25,600
and you should have fun
from time to time.

64
00:04:26,960 --> 00:04:29,600
How charming
someone listen to me.

65
00:04:29,600 --> 00:04:32,680
Well, we are all waiting for
every one of your words, dear.

66
00:04:32,680 --> 00:04:34,520
Tom, join us.
I've already eaten.

67
00:04:34,520 --> 00:04:36,840
Oh well, in that case,
why don't you two go out

68
00:04:36,840 --> 00:04:40,040
to get some fresh air,
before we head to the lake?

69
00:04:41,720 --> 00:04:43,840
Good idea. Yeah!

70
00:04:50,560 --> 00:04:51,840
I... Oh, yes.

71
00:04:54,440 --> 00:04:55,880
Hey...

72
00:05:00,160 --> 00:05:02,600
BOTH AT THE SAME TIME: I have something...
Very pure air.

73
00:05:02,600 --> 00:05:04,240
Sorry. Excuse me.

74
00:05:04,240 --> 00:05:06,320
It was nothing. Please.

75
00:05:07,920 --> 00:05:11,040
Miss Bennet, I was wondering
if this could be of use to you.

76
00:05:12,240 --> 00:05:14,400
It is the guide to the Lakes
of Mr. Wordsworth...

77
00:05:15,400 --> 00:05:17,120
...where geography meets poetry.

78
00:05:18,920 --> 00:05:19,960
Oh!

79
00:05:21,600 --> 00:05:23,440
Thank you.

80
00:05:23,440 --> 00:05:26,440
It's a great luck
that you can join us.

81
00:05:31,720 --> 00:05:33,120
Ah...

82
00:05:35,880 --> 00:05:39,600
How was your stay at Pemberley,
Miss Bennet?

83
00:05:39,600 --> 00:05:41,640
Oh, Pemberley was...

84
00:05:43,560 --> 00:05:45,200
...very busy.

85
00:05:45,200 --> 00:05:48,280
I'm glad to know
that his mother has recovered.

86
00:05:48,280 --> 00:05:50,600
Oh yes. My mother came back...

87
00:05:52,240 --> 00:05:54,920
...to be the same as always.

88
00:05:54,920 --> 00:05:56,600
That's a good thing, isn't it?

89
00:05:56,600 --> 00:06:00,320
Oh well. No. Yes, but...

90
00:06:00,320 --> 00:06:03,040
Well, in its recovered state...

91
00:06:04,640 --> 00:06:07,480
...I think I might be now
most disappointed in me

92
00:06:07,480 --> 00:06:08,800
than it ever has been.

93
00:06:08,800 --> 00:06:10,680
Wow, I'm very surprised
listen to that.

94
00:06:10,680 --> 00:06:13,960
Oh, you don't know my sisters,
Mr. Hayward.

95
00:06:13,960 --> 00:06:17,640
They are, each one of them,
beautiful and accomplished.

96
00:06:18,960 --> 00:06:22,600
I don't fare well in the comparison,
as my mother often observes.

97
00:06:24,720 --> 00:06:26,240
Miss Bennet.

98
00:06:27,760 --> 00:06:29,800
I am very sorry that someone

99
00:06:29,800 --> 00:06:32,040
has ever made her feel
like a disappointment.

100
00:06:46,400 --> 00:06:48,960
I ran into Anne Baxter on my way here.

101
00:06:50,880 --> 00:06:53,640
At the coaching inn, by chance.

102
00:06:55,720 --> 00:06:57,200
I'm sorry, Mr. Hayward.

103
00:06:57,200 --> 00:07:02,880
I understand that it must be
suffering terribly.

104
00:07:04,480 --> 00:07:06,000
Well, I...

105
00:07:09,960 --> 00:07:11,360
Thank you.

106
00:07:16,920 --> 00:07:20,760
I heard that our friend Mr. Ryder
He went to visit her at Pemberley.

107
00:07:20,760 --> 00:07:24,920
Oh. Well, yes...
Mary, Tom, we should get going.

108
00:07:26,920 --> 00:07:28,160
Yeah.

109
00:07:29,200 --> 00:07:32,360
Oh well, we'll talk again.
Yes of course.

110
00:07:41,320 --> 00:07:44,720
I read in my fishing book
that we need to find the folds,

111
00:07:44,720 --> 00:07:47,000
where the current meets calmer waters.

112
00:07:47,000 --> 00:07:50,280
So now... No, you're holding
the line too strongly,

113
00:07:50,280 --> 00:07:53,000
and you should never have
the reel too full.

114
00:07:53,000 --> 00:07:55,400
No. Just loosen it up a little.
Yes. Excuse me.

115
00:07:55,400 --> 00:07:57,520
Now, launch. Ah!

116
00:07:58,520 --> 00:08:01,080
What is it called
that mountain over there?

117
00:08:01,080 --> 00:08:03,480
I think it's Scafell.

118
00:08:03,480 --> 00:08:05,960
Mr. Wordsworth's sister, Dorothy,
He climbed Scafell, didn't he?

119
00:08:05,960 --> 00:10:04,040
That's how it is. He said that from up there
you can see all the way to the sea.

120
00:08:10,040 --> 00:08:11,760
Oh, how wonderful!

121
00:08:13,120 --> 00:08:15,800
Would you be willing to
try to climb it with me?

122
00:08:17,440 --> 00:08:20,160
Really? Do you think we could?
I would like to.

123
00:08:20,160 --> 00:08:22,280
Are you skilled
in physical activities, Miss Bennet?

124
00:08:22,280 --> 00:08:24,200
Not in the least.
I think I felt a tug!

125
00:08:24,200 --> 00:08:26,280
But I am enthusiastic.

126
00:08:26,280 --> 00:08:29,680
I'll go online. Well, that will do.
That and some good boots.

127
00:08:33,720 --> 00:08:35,520
What's happening?

128
00:08:35,520 --> 00:08:38,280
I hope I didn't speak out of turn
when I mentioned

129
00:08:38,280 --> 00:08:41,360
Mr. Ryder's visit.
Oh no. Oh no, not at all.

130
00:08:41,360 --> 00:08:44,560
No. I really, just...
I just hope there isn't

131
00:08:44,560 --> 00:08:47,640
spoken out of place
when mentioning Miss Baxter.

132
00:08:47,640 --> 00:08:49,720
Oh no, not at all.
At all.

133
00:08:49,720 --> 00:08:51,120
Miss Baxter and I...

134
00:08:51,120 --> 00:08:53,600
Mr. Ryder's visit was brief
and it had no major relevance.

135
00:08:53,600 --> 00:08:57,560
Something is definitely pulling.
Ah! Oh.

136
00:08:57,560 --> 00:08:59,560
It's a good size. Bring it in slowly.

137
00:08:59,560 --> 00:09:01,760
No, no, just let the rod do the work.

138
00:09:01,760 --> 00:09:03,880
Oh. No. Lift and roll.

139
00:09:03,880 --> 00:09:06,440
So, lift and roll.

140
00:09:06,440 --> 00:09:08,040
Oh! Lift and roll.

141
00:09:08,040 --> 00:09:10,440
Maybe this is your dinner
of tonight.

142
00:09:10,440 --> 00:09:13,000
Ah! Ha ha!

143
00:09:13,000 --> 00:09:14,600
I'm not going to eat that.

144
00:09:17,920 --> 00:09:19,200
It was moving.

145
00:09:40,880 --> 00:09:42,480
No, I can't show them to you, Mr. Hayward.

146
00:09:42,480 --> 00:09:47,120
My sketches are an offense
both for the lake and for the art itself.

147
00:09:47,120 --> 00:09:48,560
Oh.

148
00:10:00,000 --> 00:09:52,280
That's quite a feat, Miss Bennet.

149
00:09:54,360 --> 00:09:56,400
Well, for the sake of
lift your spirits,

150
00:09:56,400 --> 00:09:58,520
I will show you my own
disastrous drawings.

151
00:09:58,520 --> 00:10:01,000
But please don't tell anyone
what you are going to see.

152
00:10:01,000 --> 00:10:02,600
Don't show them to me
If you're just being modest,

153
00:10:02,600 --> 00:10:04,880
I will feel terrible
if yours are well drawn.

154
00:10:04,880 --> 00:10:06,720
No, they are not.
And I must warn you,

155
00:10:06,720 --> 00:10:08,320
it will be impossible for you
consider me again

156
00:10:08,320 --> 00:10:10,000
a man of sensitivity
once you have seen them.

157
00:10:10,000 --> 00:10:12,440
I don't have any artistic talent.

158
00:10:23,680 --> 00:10:25,040
Oh. Oh.

159
00:10:26,640 --> 00:10:30,480
No. These are...
No, these are pretty terrible.

160
00:10:30,480 --> 00:10:33,280
I mean, I don't even know
what is that

161
00:10:33,280 --> 00:10:36,160
That! That's a duck, Miss Bennet.

162
00:10:36,160 --> 00:10:38,320
It has too many legs.

163
00:10:40,000 --> 00:10:42,400
Well could we say
What is stepping on a plant?

164
00:10:42,400 --> 00:10:44,680
I don't think we can. No. No.

165
00:10:44,680 --> 00:10:46,560
MR. GARDINER SNORES
No.

166
00:10:46,560 --> 00:10:47,920
Maybe we would enjoy the view more

167
00:10:47,920 --> 00:10:49,600
if we weren't trying to replicate it.

168
00:10:49,600 --> 00:10:51,400
Well, I certainly would.

169
00:10:54,360 --> 00:10:56,320
We could go horseback riding.

170
00:10:56,320 --> 00:10:57,760
Do you ride much, Miss Bennet?

171
00:10:57,760 --> 00:11:00,600
No, that's another thing for
I don't have any skills.

172
00:11:00,600 --> 00:11:03,440
At Pemberley,
I went riding with the lord...

173
00:11:03,440 --> 00:11:06,200
Uh... with Mr. Ryder.

174
00:11:06,200 --> 00:11:08,640
Oh, I see.

175
00:11:08,640 --> 00:11:11,040
Hey. No...

176
00:11:11,040 --> 00:11:13,320
Mr. Ryder and I are not engaged...

177
00:11:14,600 --> 00:11:16,360
...in case that's what you thought.

178
00:11:17,520 --> 00:11:19,000
Oh.

179
00:11:19,000 --> 00:11:21,680
In fact, I'm trying to think

180
00:11:21,680 --> 00:11:25,120
in a different future for me.

181
00:11:26,360 --> 00:11:28,280
I was wondering whether to be a governess

182
00:11:28,280 --> 00:11:30,440
it would be possible,
outside my family.

183
00:11:30,440 --> 00:11:32,280
I think it would be
an excellent governess.

184
00:11:34,200 --> 00:11:36,960
But, Miss Bennet, don't you think

185
00:11:36,960 --> 00:11:41,280
that maybe I could...

186
00:11:42,920 --> 00:11:44,560
...find a suitable partner?

187
00:11:45,720 --> 00:11:47,280
Oh no.

188
00:11:47,280 --> 00:11:50,200
No. Mr. Hayward, no.

189
00:11:50,200 --> 00:11:52,000
I am at peace with that.

190
00:11:54,440 --> 00:11:55,840
Don't you think it might be worth it

191
00:11:55,840 --> 00:11:57,560
taking one last look...

192
00:11:58,680 --> 00:12:00,200
..just to be sure?

193
00:12:00,200 --> 00:12:03,280
No, I have learned my lesson.

194
00:12:03,280 --> 00:12:07,880
Any search will only lead me
<font color="

195
00:12:09,000 --> 00:12:10,800
Oh.

196
00:12:10,800 --> 00:12:15,760
Anyway, I'm sure... I'm sure
He doesn't want to talk about commitments.

197
00:12:18,120 --> 00:12:20,160
Well, the truth is...
STRONG: Is that a lark...

198
00:12:20,160 --> 00:12:21,880
..the one who sings...

199
00:12:21,880 --> 00:12:23,080
...Mr. Hayward?

200
00:12:24,800 --> 00:12:27,360
Oh, maybe it's a thrush.
<font color="

201
00:12:27,360 --> 00:12:28,840
The lark is more melodic.

202
00:12:28,840 --> 00:12:30,720
The thrush is...

203
00:12:30,720 --> 00:12:32,800
SHE WHISTLES IMITATING HIM

204
00:12:34,960 --> 00:12:37,480
Well, I mean, it's more like...
It has a variety of sounds.

205
00:12:37,480 --> 00:12:40,600
More like...

206
00:12:37,480 --> 00:12:40,600
SHE TRINS

207
00:12:40,600 --> 00:12:41,640
Yeah.

208
00:12:42,920 --> 00:12:45,320
But they may sing differently
<font color="

209
00:12:45,320 --> 00:12:46,960
In London, they sound like:

210
00:12:46,960 --> 00:12:49,760
"¡Ah-ah! ¡Ah-ah!

211
00:12:49,760 --> 00:12:51,560
¡Ah-ha!”

212
00:12:51,560 --> 00:12:54,040
I find the lark to be a little more...

213
00:12:54,040 --> 00:12:56,520
HE IMITATES A COMPLEX SONG

214
00:12:57,520 --> 00:13:00,400
HE CONTINUES

215
00:12:57,520 --> 00:13:00,400
I think the one with the lark is

216
00:13:00,400 --> 00:13:01,920
quite difficult to imitate well.

217
00:13:01,920 --> 00:13:03,640
<font color="
Hard on the throat.

218
00:13:03,640 --> 00:13:06,400
Yes. Actually,
the only bird song

219
00:13:06,400 --> 00:13:09,560
with which I feel totally safe
It is that of the London pigeon.

220
00:13:11,320 --> 00:13:12,840
HE COOES

221
00:13:19,960 --> 00:13:22,280
KNOCKS ON THE DOOR

222
00:13:22,280 --> 00:13:23,560
Forward.

223
00:13:28,080 --> 00:13:29,440
<font color="

224
00:13:36,360 --> 00:13:37,960
How have you enjoyed your day?

225
00:13:39,400 --> 00:13:41,040
Lot.

226
00:13:44,400 --> 00:13:47,120
You and Mr. Hayward get along
very good.

227
00:13:50,760 --> 00:13:54,200
I'm sure it must be destroyed.
about Anne Baxter.

228
00:13:55,280 --> 00:13:57,000
Hmm.

229
00:13:57,000 --> 00:13:58,240
If it is...

230
00:13:59,880 --> 00:14:02,920
..is hiding
<font color="

231
00:14:04,480 --> 00:14:05,960
He seems to be in a good mood.

232
00:14:07,960 --> 00:14:10,400
I always wondered
if they were a good couple at all.

233
00:13:11,320 --> 00:13:12,520
Really?!

234
00:13:13,760 --> 00:14:16,040
I am sure that Mr. Hayward
I felt like they did.

235
00:14:17,080 --> 00:14:18,560
Oh yeah?

236
00:14:21,480 --> 00:14:22,880
Good evening, Mary.

237
00:14:43,480 --> 00:14:45,160
<font color="

238
00:14:50,480 --> 00:14:53,240
You can't...

239
00:14:50,480 --> 00:14:53,240
THEY LAUGH

240
00:15:02,280 --> 00:15:04,080
What are you reading?

241
00:15:10,120 --> 00:15:11,200
Tintern Abbey.

242
00:15:12,400 --> 00:15:14,720
That's my favorite.
I'm pretty fed up with her.

243
00:15:15,920 --> 00:15:18,160
He doesn't reveal his secrets easily.

244
00:15:21,960 --> 00:15:23,440
Would you read it to me?

245
00:15:26,360 --> 00:15:27,840
From where you are.

246
00:15:29,840 --> 00:15:31,640
<font color="

247
00:15:31,640 --> 00:15:33,280
Bueno...

248
00:15:39,240 --> 00:15:40,880
Aye.

249
00:15:43,000 --> 00:15:45,480
"In hours of fatigue,

250
00:15:45,480 --> 00:15:50,560
sweet sensations felt in the blood
and felt throughout the heart...

251
00:15:51,800 --> 00:15:55,040
..and even passing towards
my purest mind...

252
00:15:57,520 --> 00:16:00,000
..with a quiet restoration.

253
00:16:01,160 --> 00:16:04,400
<font color="
Of unremembered said..."

254
00:16:04,400 --> 00:16:05,680
Would you mind? Could you continue?

255
00:16:05,680 --> 00:16:09,880
I would just like to take some notes
about that last part.

256
00:16:13,160 --> 00:16:15,000
I will continue reading, but maybe

257
00:15:00,000 --> 00:16:17,320
you could try not to worry
for the notes, Miss Bennet.

258
00:16:33,000 --> 00:16:34,960
<font color="
nature...

259
00:16:36,160 --> 00:16:38,320
..not like
in the hour of thoughtless youth...

260
00:16:40,680 --> 00:16:42,400
..but listening often...

261
00:16:44,560 --> 00:16:47,360
..the music, still sad, of humanity...

262
00:16:48,560 --> 00:16:50,160
..neither harsh nor strident,

263
00:16:50,160 --> 00:16:52,760
although with power to spare
<font color="

264
00:16:54,920 --> 00:16:56,440
And I have felt...

265
00:16:59,520 --> 00:17:03,280
..a presence that disturbs me
with the joy of elevated thoughts."

266
00:17:09,560 --> 00:17:10,920
What do you think?

267
00:17:13,520 --> 00:17:14,880
Yes. No. Uh...

268
00:17:16,280 --> 00:17:17,560
Mr. Wordsworth is...

269
00:17:18,680 --> 00:17:22,120
Well it's explaining our connection
with nature and...

270
00:17:24,720 --> 00:17:26,080
<font color="

271
00:17:27,320 --> 00:17:31,600
And how that connection... grows

272
00:17:31,600 --> 00:17:33,760
as we get older.

273
00:17:42,920 --> 00:17:44,720
Yeah.

274
00:17:44,720 --> 00:17:46,760
I have read this poem
a thousand times.

275
00:17:49,080 --> 00:17:51,720
Sitting here,
I finally feel its true power.

276
00:17:56,560 --> 00:17:58,000
Me too.

277
00:18:18,120 --> 00:18:20,840
I've been trying
<font color="

278
00:18:21,840 --> 00:18:24,040
I would like you to know
which was kind of a relief

279
00:18:24,040 --> 00:18:26,920
terminate my agreement
with Miss Baxter.

280
00:18:26,920 --> 00:18:30,000
we were very young
when we made our pact.

281
00:18:30,000 --> 00:18:32,040
And throughout that time,
<font color="

282
00:13:12,120 --> 00:18:36,480
Recently, I discovered that there were
changed quite significantly,

283
00:18:36,480 --> 00:18:37,760
and I hope...

284
00:18:40,880 --> 00:18:42,640
I hope you feel the same.

285
00:18:46,720 --> 00:18:48,800
SCREAMING: Ah from the ship!

286
00:18:48,800 --> 00:18:50,360
Ah, from the ship, over there!

287
00:18:52,320 --> 00:18:54,360
Ahoy there!

288
00:18:54,360 --> 00:18:55,800
<font color="

289
00:18:57,360 --> 00:18:59,600
What is he doing here?
¡William Ryder!

290
00:18:59,600 --> 00:19:01,120
Why are you getting into the water?

291
00:19:02,800 --> 00:19:05,000
Oh, it's totally typical
from that man:

292
00:19:05,000 --> 00:19:06,960
an impatient decision
and little thought out.

293
00:19:06,960 --> 00:19:08,560
Mr. Ryder, please be careful!

294
00:19:12,320 --> 00:19:16,320
<font color="

295
00:19:16,320 --> 00:19:18,000
What are you doing here?!

296
00:19:21,280 --> 00:19:24,360
Mr. Ryder, please let me help you
to get on the boat.

297
00:19:26,000 --> 00:19:29,120
Mr. Ryder... Come on, Hayward.
Pull a little harder.

298
00:19:29,120 --> 00:19:30,160
Careful.

299
00:19:31,200 --> 00:19:32,640
THEY ARE EXALTED

300
00:19:33,680 --> 00:19:35,960
¡Oh!

301
00:19:35,960 --> 00:19:38,280
<font color="

302
00:19:39,520 --> 00:19:42,280
How do you always manage
to create such a scene?

303
00:19:42,280 --> 00:19:43,840
It's quite stimulating, right?

304
00:19:47,880 --> 00:19:50,480
Could you help, Miss Bennet? Yeah.

305
00:14:50,480 --> 00:19:52,240
Miss Bennet, could you take
an oar please?

306
00:19:52,240 --> 00:19:54,000
<font color="

307
00:19:56,320 --> 00:19:59,000
No, no, that's not exactly it
what I wanted to say.

308
00:19:59,000 --> 00:20:03,840
Miss Bennet, could you take the other one
oar and hold it by its end?

309
00:20:03,840 --> 00:20:05,120
Yeah.

310
00:20:07,200 --> 00:20:08,600
Gracias.

311
00:20:12,600 --> 00:20:13,840
Let go.

312
00:20:13,840 --> 00:20:16,080
The last thing we want is to throw away
<font color="

313
00:20:16,080 --> 00:20:18,680
Let go! Okay. Let go, let go.
Oh I'm sorry!

314
00:20:18,680 --> 00:20:20,280
ALL: Oh.

315
00:20:22,120 --> 00:20:23,160
GOOD.

316
00:20:24,320 --> 00:20:25,840
Well, we'll have to swim back.

317
00:20:25,840 --> 00:20:27,800
Yes. Well, we can't leave
here to Miss Bennet.

318
00:20:27,800 --> 00:20:30,320
<font color="

319
00:20:41,160 --> 00:20:44,000
I'm afraid you're going to have
You have to try harder than that.

320
00:20:44,000 --> 00:20:45,440
This is not easy.

321
00:20:46,560 --> 00:20:49,160
Yeah, well, we wouldn't be
in this situation

322
00:20:49,160 --> 00:20:51,960
if you had waited on the shore
like any other gentleman.

323
00:20:54,560 --> 00:20:57,280
<font color="
Yes, sure.

324
00:21:20,680 --> 00:21:22,520
Thank you, Mr. Ryder.

325
00:21:22,520 --> 00:21:26,200
Mr. Ryder. Mr. Gardiner.
Mrs. Gardiner.

326
00:21:26,200 --> 00:21:29,280
SHE LAUGHS UNDERLY

327
00:21:26,200 --> 00:21:29,280
Please forgive my intrusion.

328
00:21:29,280 --> 00:21:30,720
I needed legal advice.

329
00:21:30,720 --> 00:21:32,440
And when I found out that
<font color="

330
00:21:32,440 --> 00:21:34,160
Well, I could barely resist.

331
00:21:34,160 --> 00:21:36,640
Good to see you, Mr. Ryder.

332
00:21:36,640 --> 00:21:39,840
What is that legal matter
that just couldn't wait?

333
00:21:39,840 --> 00:21:43,440
Oh, it's not urgent. No, let's go...
Let's enjoy first.

334
00:21:43,440 --> 00:21:45,640
<font color="
that I would find

335
00:21:45,640 --> 00:21:48,240
to such a happy group gathered here.

336
00:21:48,240 --> 00:21:52,120
You two are going to be shocked.
Go change.

337
00:21:52,120 --> 00:21:55,440
On such a beautiful day,
I can barely feel the cold.

338
00:22:08,280 --> 00:22:11,960
<font color="
than I had imagined.

339
00:22:11,960 --> 00:22:15,920
Yeah,
It has been quite unexpected in every way.

340
00:22:15,920 --> 00:22:18,040
I mean...wow, the Hursts are here!

341
00:22:18,040 --> 00:22:19,720
Greetings from London!

342
00:22:21,840 --> 00:22:23,600
Miss Bennet. Mr. Hurst.

343
00:22:23,600 --> 00:22:27,760
<font color="
What is that smell?

344
00:22:27,760 --> 00:22:31,680
Is this all
your group, or is it...? Louise?

345
00:22:31,680 --> 00:22:33,960
Have you seen my ridiculous silver?
Oh.

346
00:22:35,640 --> 00:22:37,920
Miss Bingley. Miss Bingley.

347
00:22:37,920 --> 00:22:39,440
Ryder, why aren't you dressed?

348
00:22:41,320 --> 00:22:42,440
<font color="

349
00:22:43,560 --> 00:22:46,960
Well I've never been anywhere
so wet and muddy in my entire life.

350
00:22:46,960 --> 00:22:49,200
And what is that smell?
That's what I said.

351
00:22:49,200 --> 00:22:52,240
That's oxygen, Miss Bingley.
That's the smell of fresh air.

352
00:22:53,640 --> 00:22:57,800
Miss Bennet, no one mentioned
<font color="

353
00:22:59,080 --> 00:23:00,920
And yet, here I am.

354
00:23:02,560 --> 00:23:04,800
Good. Well we should
get settled

355
00:23:04,800 --> 00:23:07,080
in these frighteningly small rooms.

356
00:23:07,080 --> 00:23:10,120
Louisa. Sr. Hurst.
OK. I will change

357
00:23:10,120 --> 00:23:11,800
and I'll see you all for dinner...

358
00:23:13,000 --> 00:23:14,760
<font color="

359
00:23:17,080 --> 00:23:20,160
And excuse me too, Miss Bennet.

360
00:23:22,520 --> 00:23:24,120
Oh, Mary.

361
00:23:25,800 --> 00:23:27,800
CHAT

362
00:23:27,800 --> 00:23:31,440
IN A LOW VOICE: I really want to
of our climb tomorrow.

363
00:23:31,440 --> 00:23:35,480
Me too. I have arranged for the guide
<font color="

364
00:23:35,480 --> 00:23:37,520
Oh yes. Mr. Gardiner tells us

365
00:23:37,520 --> 00:23:40,280
they are going to climb
the Scafell tomorrow.

366
00:23:40,280 --> 00:23:42,680
That's how it is.

367
00:23:42,680 --> 00:23:44,720
Then we will join you.
They would need

368
00:23:44,720 --> 00:23:48,560
make proper preparations
before undertaking such a climb.

369
00:23:48,560 --> 00:23:50,760
<font color="
confine us

370
00:23:50,760 --> 00:23:52,960
to calm lakes and serene views.

371
00:23:52,960 --> 00:23:54,840
I would settle
with passing the day

372
00:23:54,840 --> 00:23:57,080
without one of its particulars
adventures.

373
00:23:58,400 --> 00:23:59,640
What about you, Miss Bingley?

374
00:24:00,640 --> 00:24:02,640
Mrs. Hurst. Will they join us?

375
00:24:02,640 --> 00:24:04,920
<font color="

376
00:24:04,920 --> 00:24:07,680
An extremely difficult climb.

377
00:24:07,680 --> 00:24:09,440
I have been wanting to see the place for a long time.

378
00:24:09,440 --> 00:24:12,720
that gave rise
to such magnificent verses.

379
00:24:12,720 --> 00:24:17,120
A few drawbacks
on the road they are a small price to pay.

380
00:24:17,120 --> 00:24:19,920
Do you read poetry, Miss Bingley?
<font color="

381
00:24:19,920 --> 00:24:22,120
It's a passion that I share
only with my friends.

382
00:24:25,680 --> 00:24:28,680
Tell me,
How long will this climb last?

383
00:24:28,680 --> 00:24:30,080
I think I'll go to sleep.

384
00:24:30,080 --> 00:24:32,000
MR. GARDINER: It depends on our pace.

385
00:24:32,000 --> 00:24:35,920
I think the guide will be able to
give us a better estimate.

386
00:24:35,920 --> 00:24:38,840
<font color="
¿Me permite? Oh.

387
00:24:50,920 --> 00:24:55,720
Maybe you and me
We could walk together tomorrow.

388
00:24:55,720 --> 00:24:57,160
Far from the crowd.

389
00:24:58,920 --> 00:25:00,520
I would like that very much.

390
00:25:03,440 --> 00:25:04,920
And on the top of the mountain,

391
00:25:04,920 --> 00:25:07,240
we could end that conversation

392
00:25:07,240 --> 00:25:09,880
<font color="

393
00:25:15,320 --> 00:25:16,880
Empty. Empty!

394
00:25:16,880 --> 00:25:19,040
Are we talking about provisions
for climbing?

395
00:25:19,040 --> 00:25:21,880
Oh yes. Good evening, Miss Bennet.

396
00:25:21,880 --> 00:25:23,400
Good night.

397
00:25:23,400 --> 00:25:25,640
Yes. Excuse me, I just...

398
00:25:28,960 --> 00:25:30,720
Miss Bennet,

399
00:25:30,720 --> 00:25:35,000
<font color="
to apologize...

400
00:25:35,000 --> 00:25:38,320
Oh.
..for my proposal at Pemberley.

401
00:25:39,560 --> 00:25:41,960
Please don't think about it anymore.

402
00:25:41,960 --> 00:25:44,800
Now I see a way
in which it is possible

403
00:25:44,800 --> 00:25:47,080
that we have all that

404
00:25:47,080 --> 00:25:49,760
and still we fit.

405
00:25:50,840 --> 00:25:52,680
<font color="
in London,

406
00:25:52,680 --> 00:25:55,240
but I found it here

407
00:25:55,240 --> 00:25:57,160
and that must mean something.

408
00:25:59,720 --> 00:26:03,080
My situation has changed a little,
y...

409
00:26:03,080 --> 00:26:04,440
Sr. Ryder,

410
00:26:04,440 --> 00:26:08,800
we need your knowledge of
the mountains to resolve an argument.

411
00:26:08,800 --> 00:26:10,080
<font color="

412
00:26:12,120 --> 00:26:14,480
Miss Bennet, top of Scafell Pike

413
00:26:14,480 --> 00:26:18,080
it is the most beautiful place
that I have ever seen.

414
00:26:20,280 --> 00:26:21,600
Once we get there...

415
00:26:22,800 --> 00:26:24,320
..compensated him.

416
00:26:32,920 --> 00:26:34,560
He had arrived at the Lakes,

417
00:26:34,560 --> 00:26:37,240
determined to make my way
in the world.

418
00:26:38,720 --> 00:26:41,000
<font color="
that once I firmly accepted

419
00:26:41,000 --> 00:26:43,920
that I didn't want to get married at all,

420
00:26:43,920 --> 00:26:49,920
Had I somehow earned the admiration
of TWO dear friends?